Avril Lavigne review, Glastonbury 2024: Another artist hitting hard on a stage that’s too small


There will come a point at Glastonbury 2024 when it will be easier to give up a mile from the stage.

Like the crowded set of Sugar Babies, grumpy, nostalgic pop-punk queen Avril Lavigne is one of the must-see acts at the festival, but is shoved onto a too-small stage in front of a sea of ​​people. . Meanwhile, on the Pyramid Stage, Janelle Monae was the unfortunate recipient of poor planning—a gifted pop star performing to a barely-there audience. This is not good.

Glastonbury’s crowd control did an excellent job in difficult circumstances, keeping everyone safe and gathering thousands of people in front of another stage and in the surrounding area. Everyone seemed to be able to see it, and unlike the sugar babies in West Holz on Thursday, there were no reports of people being told to stay back. Avril herself was at a loss.

“I can’t believe it’s taken me 22 years to play Glastonbury,” she said. “it’s time.”

It was a brilliant show, but Glastonbury must learn from a year that vastly underestimated the appeal of popular nostalgia and overestimated many people’s interest in performing at the Pyramid.

That said, there’s something very special about singing in unison with a small group of twenty-three-somethings, more or less a million miles away from another stage, for whom Avril Lavigne Like a god.

Avril Lavigne retains her traditional simple acting style
Avril Lavigne retains her traditional simple acting style (Getty)

We all huddled in the back of the crowd, close to the food vendors and restrooms, and understood every word of this artist who, despite all the cynical ridicule she experienced at the beginning of her fame, spoke directly to a generation.

“Does anyone here have a copy of my first album? let go?Avril asked once. It took some resistance from the crowd to not scream “ugh.”

Avril Lavigne is now 39 years old, but still retains her usual concise, slightly willful performance style. She moves slowly around the stage, singing powerfully but mostly statically. She once sang: “May you never grow up.” She’s at least honest.

“Girlfriend” kicks things off with playful flair, and then Lavigne moves into “What the Hell,” another mid-career song that’s as representative of a specific moment as a My Chemical Romance patch and takes so long to More brain power to rank Wentz bro.

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There’s more sing-alongs on the evocative rock ballad “My Happy Ending,” and there’s a big, audible “aww” when the beautiful strings of “I’m with You” first hit , one of those cringeworthy heart-wrenches that sits comfortably among the new millennium power ballad classics.

Avril Lavigne takes down another stage at Glastonbury Festival 2024
Avril Lavigne takes down another stage at Glastonbury Festival 2024 (Getty Images)

Avril Lavigne’s lyrics are unpretentious and powerful, rejecting flowery metaphors and instead directly translating commonplace sadness: “Isn’t anyone trying to find me? / Isn’t someone going to come and take me home?” she sang ” I am with you”.

“It’s a damn cold night/Trying to figure this life out…”

She’s never been considered a songwriter, or even particularly important in the grand scheme of adult music, but if her Glastonbury musical is any reminder of her appeal and importance, it’s Very good.

“Sk8r Boi” – a talented duo of mind-boggling talent and deep millennium cringe – concluded the show and left Avril grinning from ear to ear. Even pop punk’s greatest miserabilists couldn’t resist the joy radiating from the crowd.



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