“How to Make Music Free” Live TV Music Streaming Revolution


A new documentary is called How music became free Explores the devastation of digital piracy and how it nearly destroyed the recording industry while also spawning a digital music revolution.

The two-part Paramount+ documentary is narrated by Method Man and features interviews with Eminem, 50 Cent, Timbaland, Steve Stoute and even the music pirate himself.

today in commotionCulture writer Niko Stratis and musician Rollie Pemberton join guest host Amil Niazi to talk about the doctor and how music will last forever Stories of change.

We’ve included some key points below, edited for length and clarity. For full discussion, Listen and follow Commotion by Elamin Abdelmahmoud on your favorite podcast player.

Watch today’s episode | YouTube:

factor:Niko, we know the effects now, but decades have passed since the phenomenon first emerged. Why do you think they are telling this story now?

Nico: I think the more information we get from this source, the context almost starts to get washed away, right? We can think of Napster, LimeWire and Soulseek as the origins of all things to come – the nascent era of the Internet. But now we’re still very far away from that, and you pretty much get it, especially the younger generation, for whom music is a borderline liberal commodity and don’t really understand how we got to this point, will Art is placed in a dangerous place.

Artists are fighting for better pay, and all of these conversations are very real and very urgent right now, but the context for these conversations is a little lacking. So it’s important to put it in perspective and look back and say, this is where we are and this is what happened…. So now more than ever it feels very prescient.

factor: Yeah, Gen Z will never know what it’s like to carry around a bag of CDs.

Nico: We should force them to do this. You know when you get a bag of flour and you think, “This is a baby, take care of it.”? Everyone should have a stack of CDs that they can carry around, or a Case Logic CD wallet.

factor:Lori, can we talk about what impact this movement has actually had on the music industry?

Luo Li: must. I think illegal downloading led to products like Apple Music and iTunes thinking it was actually a very good idea. People want to get their music online faster. People want to be able to download whatever they want, so let’s make it easier for them. The industry has done a really good job of repositioning the flow of technology because it started out as just pirates, nerds, random school kids. Then they turned it around, and now we have streaming companies like Spotify that are partly owned by record labels. So they found a way and now the music industry is back to normal.

factor: Yes. Okay, I guess, TBD. Rollie, coming back to your perspective as an artist, even though things have certainly changed irrevocably, how do we ensure that artists are protected?

Luo Li: The artist now has a different problem. We used to be afraid of our albums leaking, but now I’m kind of like, damn, I want people to want to download my music so bad that they’re going to leak it and steal it. It’s hard to get it in front of people these days, and in the attention economy, actually get people to listen to your record. So I don’t know what the answer is to streaming because it’s a tough question for other reasons. But I do think we have to mentally go back to that spirit of downloading and that era where everyone was obsessed with downloading as much music as they could, because I think that was a really great time for music fans.

factor: Niko, what are your thoughts on how to protect artists in the new era?

Nico: That’s the missing middle, right? We don’t really talk about how we support artists in this environment where it’s harder than ever to generate revenue from music online. There are no digital storefronts like there used to be. Streaming is huge, and it’s harder than ever for artists to earn streaming income. So how do we do this to advance our careers while ensuring music is accessible to everyone?

These things are so important, and whenever people talk about it, they always say, “Oh, the label needs to make more money,” or whatever. It’s like, no, we need to support artists’ careers to be able to lift the system and make sure it keeps running, because otherwise these things are going to start to dwindle and the 1% of artists that we support that are forever talking about are going to be the only ones that are really going to stay of. It’s a sad musical landscape, right? We need to make space for everyone. So how do we do this in an egalitarian way? The best times we had were when the wild music lovers stole as much as they could.

You can listen to the full discussion on today’s show Canadian Broadcasting Corporation Listen Or on our podcast The Furious of Elmin Abdelmahmoud, Available wherever you get your podcasts.


Panels by Ryan Chung.



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